By Mark Anderson
Injuries suck. Last October I (partially) tore my forearm flexor muscle. At first the injury was relatively minor, but like a climber, I kept climbing and training hard on it for several weeks, and so it evolved into something more troublesome. I spent the next five months or so rehabbing the muscle, thinking I was close, aggravating it, and starting over again (over this process I eventually developed a solid rehab approach which I will describe next week).
By early April I was starting to feel healthy again. My latest batch of hangboarding ended strong, I was campusing without restrictions, and my bouldering was progressing rapidly. It was time to shake off the rust with some actual rock climbing, so I started considering options.
I hadn’t trained with a particular goal route in mind—the goal was to get 100% healthy. I decided I needed a route hard enough to inspire a proper effort, but not so hard as to be overwhelming or beyond my current, not-exactly-tip-top shape. Mike was coming to Boulder the following weekend, and we wanted to take advantage of the rare opportunity to work a project together, so we tried to find a worthy objective nearby.
I scoured my Black Book (actually a spreadsheet—nobody reads books anymore), and was reminded of an old abandoned line in Eldorado Canyon. Eldo is a narrow canyon composed of colorful Fountain Formation sandstone, and stacked with thousands of multi-pitch trad climbs, including legendary classics like Bastille Crack, Yellow Spur and The Naked Edge. It was the epicenter of Colorado climbing for many decades, until the sport climbing revolution took over and the best climbers moved on to other crags.
The line we had in mind follows a sheer panel of slightly overhanging stone on the upper end of Redgarden Wall. This incredible panel first caught the attention of Christian Griffith and Chris Hill, who made the initial forays onto the wall, but the big prize remained unclimbed. I first noticed it in 2008 while climbing nearby classics Ruper and Green Slab. A few years later I finally got around to hiking up to the wall to properly scope out the line from the ground, but other priorities kept it on the backburner for several more years.
Now was my chance—for the first time in many years, I was relatively fit with no particular objective in mind. I had no idea how hard it would be, but I was willing to waste a day to find out. Mike was up for it too, and so we dusted off our trad gear and set out.
We were instantly impressed with the quality of the route. Its literally 40-meters long, almost to the centimeter. It overhangs about 5 meters in that length, and except for a single 1-meter-deep bulge, it is sheer and continuously around 5 degrees over vertical. It’s a beautiful panel of clean stone that begs to be climbed, and the rock is among the highest-quality I’ve encountered on the Front Range.
The movement is outstanding, albeit rather 1980s in style—precise technical edging with grippy holds and challenging footwork. It generally gets harder as you ascend, interspersed with numerous rests. The climbing opens with fun 5.11 jugs, then engaging 5.12 climbing that makes for a nice chill warmup, to a good shake below the bulge. The business is the final headwall. This headwall begins with a couple bolts of easy 5.13 to clear the bulge and gain a crescent-shaped, right-facing arête/dihedral feature that offers intricate liebacking and arête-style movement, reminiscent of the mid-section of Smith Rock’s uber-classic Scarface. The headwall culminates in a desperate forearm-bursting boulder problem 120-feet off the deck. Simply put, it’s a King Line.
Between the two of us we were able to work out all the moves on the first day. It’s really helpful having an engaged partner to work these things out with—especially one who is pretty much the exact same size and shape, has the same climbing style, and similar strengths and weaknesses! We felt the route was possible, and we were both completely stoked. We set our heads to the primary challenge of shuffling our increasingly busy schedules to dodge the erratic spring weather and find enough opportunities to put it all together.
While we felt it was feasible, we were both a little concerned about the low-percentage nature of the crux moves, and the fact that the crux was so high off the deck. It was hard enough to do these moves off the dog, how would they feel after 120+ feet of climbing (and rope drag)? As we made the long trudge back to the car, we reminded each other of similar climbs, with low-percentage, distant cruxes, that we had each overcome in the past. It’s easy to forget that the process works, especially if you haven’t been through it recently. Over the next few days we eventually convinced ourselves, for the Nth time, that routes really do become easier with practice.
Despite some interference from the weather, eventually it all came together. We were consistently waltzing up the lower wall, arriving at the headwall “without the hint of a pump” (as our hero Alan Watts would say). Once we added a couple servings of Try Hard, the route went down. After putting our heads together we’ve settled on the name “Slice of Time” for the full panel.
Besides a pair of sends, the process of working the route produced several really important side-effects. The first was that it gave me something to strive for again, for the first time in about six months. I’m accustomed to having tangible goals, and without them I struggle to find motivation. Working the route made me feel like I was a climber again.
Additionally, having a legitimate objective in the balance gave me the extra push I needed to complete my recovery. Often we struggle to overcome the mental impacts of injuries—we “hold back” for fear of re-injuring ourselves. By the end of the process I was training every facet of my fitness without restrictions, and pining for a send rather than obsessing over my forearm. I recall hiking back to the car one day and realizing that, at no time during the previous session did I think about my forearm. It was the first time in six months I’d gone more than a few minutes without thinking about it. Slice of Time was exactly the distraction I needed to get back to normal, both physically and mentally.
Finally, the best outcome of the process was climbing with Mike. Despite living in the same state, we rarely climb (hard) together because we both have our own agendas that send us in different directions. We spend the odd day together on less-serious objectives, but I think the last time we worked a proper project together was literally ten years ago. It was really fun, not only to spend time together, but to geek out over micro-beta, weather forecasts and redpoint tactics.
We’re both really stoked to climb such a stellar line, especially in such a historic venue. We’d both like to thank the many folks who put effort and hardware into realizing this route over the years. It’s an instant classic and should become a popular testpiece for the canyon, and the entire Front Range. The best compliment I can think of to recommend the route is: its so good, it reminds me of Smith Rock.