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Climbing in Italy – Finale Ligure Part 1

By Mark Anderson

Climbing Camera Con Vista (Room with a view), 7a, Finale Ligure.

Climbing in Italy has long been a mystery to me. I knew there was climbing—a lot of climbing—I just didn’t know anything specific about it. For whatever reason I knew much more about the sport crags of Germany, France and Spain. Some quick internet research revealed Finale Ligure, in the Liguria region of the Italian Riviera, was a highly recommended spot.

Playing on the Beach in Finalmarina.

The Finale region is spectacular, nestled in a set of tight valleys right on the Mediterranean Sea (some of the crags climb directly over the water). Finale is also renowned as a mountain biking destination, and the village of Finalborgo (where we stayed) was always bustling with adventure-seekers like ourselves. In the small piazza where we went for pizza, beer and gelato (not necessarily in that order) there were six different climbing shops and just as many MTB shops.

The cliff-covered valleys above Finalborgo.

Within a 15 minute drive of Finalborgo are hundreds of crags with thousands of routes. The rock is white, gray and sometimes orange limestone, covered in small pockets and the occasional tufa. The routes are entirely bolted, but there are many expansive cliffs covered in multi-pitch lines. The cliffs tend toward steep slabs with many vertical to slightly-overhanging walls, and the most appealing routes are in the French 6-7 range (5.10-5.12). According to our guidebook, polished rock is a bit of a problem at certain crags, but we never found it to be an issue.

El Diablo in Grotta dell’edera. This is fairly typical of the rock in Finale—generally white to light grey, near vertical, with many small pockets. Photo Logan Anderson.

I had pretty low expectations for the climbing, based on the few pictures I’d seen. The routes looked thin, tweaky and old-school. The two days we spent climbing there completely changed my view.   Every route I climbed was excellent and many of them were outstanding. While there were some thin and tweaky routes and some runouts, we also found amazing tufa curtains and walls covered in jugs. Even the less featured lines were fantastic technical challenges on amazing rock.

However, the best thing going for Finale is the atmosphere. It reminded me of Tonsai Beach in Thailand, where you can drop your pack on the beach, climb world-class limestone, then walk 15 steps to the bar and eat a great meal with a beer for pennies on the dollar. Finale wasn’t quite that convenient, but on the other hand, you don’t need Malaria pills. The climbing in Finale is equally relaxed, with the sea never far away and a great evening on the boardwalk or piazza to cap off every day.

The best part of Finale climbing was the ambiance. Eating phenomenal pizza in our garden in Finalborgo.

Grotta dell’edera (Ivy Cave) was the one “must-visit” crag on our list. It’s a collapsed cave, resulting in a near-perfect cylinder of limestone open to the sky. There’s a “window” on the southwest side of the cylinder that forms an archway across the cylinder. If that wasn’t peculiar enough, the Grotta is accessed by climbing 50 meters through a proper cave (with some steep scrambling thrown in along the way).

Amelie and I spelunking on the approach to Grotta dell’edera.

Looking up at the roof of Grotta dell’edera.

The perfectly-named Camera Con Vista (Room with a view), 7a. The “window” is to my left, and there is another mini-cylinder (with three routes inside and a skylight) to my right. Photo Amelie Anderson.

Kate cruising Bombolo, 6b, in the mini-cylinder inside Grotta dell-edera. Photo Logan Anderson.

Higher on Bombolo, a classic jughaul with wild stemming and some tufa action. Photo Logan Anderson.

The climbing in the Grotta was fantastic in its own right, but the setting made every route extra special. I climbed several great tufa lines and set up a thrilling rope swing for the kids that the other climbers seemed to get a kick out of (the place was packed relative to the rest of our trip—there were 8 other climbers, with us making 12 people to share 14 routes). The best route I did was a dead-vertical, slightly concave 7b with small incut pockets and tricky stemming called Lubna.

El Diablo, 7b. The Climber in the orange helmet is on the mega-classic technical masterpiece Lubna. Photo Logan Anderson.

Amelie’s rope swing.

Logan getting in on the climbing.

Logan preparing to take a big swing.  The higher you climb, the better the swing.

The (hiking) approach to the Grotta was long, hot and miserable. Frankly we were all in a terrible mood when we got there. If there’s one downside to Finale, it’s that the approaches can be long, steep and complicated. Other than that, it’s the perfect family climbing destination, with routes for climbers of all abilities and lots of fun rest day activities for kids. Fortunately the rough approach was a distant memory by the end of the day. We all had such a great time between the cave, the swings and the climbing that we would love to return. Back in Finalborgo we capped off the day with literally the best pizza I’ve ever had. Logan and Amelie picked lemons from the garden and Kate made lemonade. It was the perfect climbing day.

Castle of the Day: Dolceaqua, easily the best medieval village of the trip, with a maze of narrow winding passageways. The Ponte Vecchio bridge shown here was memorialized in this painting by Monet.

 

Climbing in France – Venasque

By Mark Anderson

Nearing the top of Vole, 7b, at the French Limestone crag of Venasque. Photo Logan Anderson.

Venasque is a little known crag outside the village of the same name, about an hour south of Buis. We first went there on one of my rest days, to give Kate a chance to climb some of the highly recommended 5.10s and 11s. Kate really enjoyed the climbing, and it looked so fun that we both agreed we should return for our last day in France.

Kate cruising Beaucoup de Bruit Pour Rien (“A Lot of Noise for Nothing”), 6a+, on our first day at Venasque.

The cliffs of Venasque don’t look remarkable (relative to other crags of the area). There are no tufas, the colors are bland relative to the orange and blue streaks of St Leger and Baume Rousse, and the scenery isn’t particularly special. But man, the climbing sure is fun! The rock is limestone, but it seems to have quite a bit of sandstone mixed in, and it’s weathered in a manner very similar to the best routes at Kentucky’s Red River Gorge. We spent most of our time at “Place de l’Ascle,” the main feature of which is a 30m wall, overhanging up to about 20 degrees, and covered in huge jugs. All the routes on this wall were spectacular 5.12 pumpfests. The routes aren’t particularly striking or cerebral, but it was definitely the most fun I had climbing on our trip.

Kate starting up Petite Marie, a gobsmacking 5.11c that charges up the right side of a towering swell of overhanging jugs.  5.11 sport climbs don’t get any better than this.

Higher on Petite Marie. Note the leaning wave of rock to Kate’s left—home to Misanthropies Therapeutiques, Aller Plus Haute, and Vole.

I started by warming up on a brilliant 7b on this wall called Misanthropies Therapeutiques, which was completely stellar, getting gently steeper, with equally growing holds, as you ascend (all the routes on this wall were like that).  It was one of the most fun sport climbs I’ve ever done. Next we moved to another sector along the same cliffband which the Rockfax guide described as a “must see wall that is the epitome of a sport crag and a must climb venue.” This cliff overhangs about 20 degrees, with a number of pockety, sequential lines from 7c-8b. I tried a route called Objectif Puree, or “Pure Objective.” This name was apparently ironic, as I soon discovered about half the handholds on the route were chipped. It was a drag, and really turned me off on the wall. I felt like I was climbing in a gym with poor route-setting. It was also rather disappointing that some people think chipped garbage is “the epitome of a sport crag.” Whether that’s a reflection on the author’s taste, or the reputation of sport climbing (or both), I don’t know. Nor am I sure which would be worse. To me it seemed like a real waste of a cliff, not to mention a waste of a climbing day in Europe.

Objectif Puree. Photo Amelie Anderson.

The upside of this revelation was that I was free to return to the first cliff and climb as many of the rad jughauls as my family could tolerate (fortunately it was also another great place to rig a rope swing, which got me at least one extra route beyond the usual quota).

Midway up Vole, 7b. Misanthropies Therapeutiques is the next route left (following the flake system), and Aller Plus Haute is the second route left. Photo Logan Anderson.

The most memorable moment of the day came as I was cleaning the 7b+ Aller Plus Haute (“Go High”). The crag is right over the road, at the intersection of a very popular hiking trail.  A crowd of about 30 hikers came through, pausing briefly to watch my acrobatics as I neared the bottom quickdraw. When I cleaned this last draw on the steeply overhanging wall, I predictably swung way out over the road, greeted by a chorus of “oohs” and “aahs” from the gathered spectators.

Logan getting in on the fun.

All told it was easily my favorite day of climbing on the trip. The crag doesn’t look spectacular, it’s not photogenic or historic, but it’s hard not to have fun on these amazing cliffs. It was a great hang for the kids, with no approach, and nestled in one of the most scenic rural regions of Provence.  It’s the perfect family vacation crag.

Castle of the Day – Entrevaux. This one was so spectacular it gets two pics….

Logan had a great time playing with the two cannons at lower right. Note also the Citadel high above, and the zig-zagging path that climbs up to it.

 

Climbing in France – Baume Rousse

by Mark Anderson

World class tufa climbing at Baume Rousse, France. Photo Logan Anderson.

As mentioned in the last post, it rained heavily during the first part of our trip, so for our second climbing day we picked a crag called Baume Rousse, somewhat sheltered in a natural cirque, and close to our home base of Buis-les Baronnies. Before getting into the climbing, Buis deserves a short description. This village of about 2500 people is nestled in an incredible valley, surrounded by impressive peaks and limestone cliffbands. There are three extensive limestone sport crags within walking distance of town (Baume Rousse, Ubrieux, and St. Julien), and another five or so within a 30 minute drive. There’s literally a lifetime of climbing opportunities with an hour’s drive.

Buis-les-Baronnies from Baume Rousse, with the limestone fin of St. Julien just above town, and the snow-capped Mount Ventoux in the background. St Leger is nestled in between Ventoux and the next ridge behind St. Julien, about a 25-minute drive from Buis.

The piercing limestone fin of St. Julien dominates the skyline above Buis-les-Baronnies. The crag features ~100 routes, including many multi-pitch lines and a network of via Ferrata.

A pair of climbers low on St. Julien (in yellow and blue, near the bottom of the cliff, in the center of the frame, at the same height as the tallest tree).

Baume Rousse is a smaller crag with only about 100 routes, but the hardest of those routes climb some of the most amazing tufas I’ve ever seen! Besides its amazing orange & black streaked limestone, Baume Rousse is unusual because it was developed in order to host a climbing comp in the 1990’s (fortunately the rock was not chipped to engineer the comp routes like at some other outdoor comps of the era).

The view towards Buis from the base of St Julien. The V-shaped diagonal limestone ridge behind the village is the crag Ubrieux (which we did not visit). The limestone cirque of Baume Rousse is visible just beyond the ridge, directly above the center of the “V.”

The left half of the Baume Rousse cirque.

Looking straight up at the tufa curtains on the back wall of Baume Rousse.

By far the best route I did on the trip was an 8a called Rigpa ou la Nature de l’esprit (Google doesn’t seem to know what “Rigpa” means, but the rest of it has something to do with “the nature of the mind”). The route follows a phenomenal tufa fin which juts out from the wall as much as 16” but is never more than 2” thick. It’s a classic pumpfest, maybe 15 degrees overhanging, with strategic exotic rests. The tufas fade near the top, requiring some big reaches between features.

Rigpa ou la Nature de l’esprit. Photo Logan Anderson.

Nearing the crux on Rigpa. Photo Logan Anderson

Another pic of Rigpa. Photo Logan Anderson

Just to the right of Rigpa is another tufa-laden 8a. I tried that line next, but just as I finished it started raining heavily. Thanks to strong swirling winds we found the little cirque was not quite as sheltered as we hoped, so we decided to pack it in for the day. The entire back wall of the cirque is covered in awesome tufas curtains, and if I had one more (dry) day in Buis, I would head straight to Baume Rousse to try more of these amazing climbs.

Amelie enjoying the best rope swing of the trip

One of the highlights of the trip for me (and I think Logan as well) was a short, entry-level via Ferrata I did with him at the base of St. Julien. Like most things at this age, it took a bit of prodding to get him interested, but once we got started he was instantly stoked. I think the pictures illustrate best how much fun we had. Before we were finished he started campaigning to do another, harder, higher via ferrata, and he kept bringing it up throughout the rest of the trip. Unfortunately these are engineered with a certain minimum height in mind, and there wasn’t another one around that was suitable for 6-year-olds.

Starting up the first few iron rungs of the via ferrata. The look of half fear/half excitement in Logan’s eyes says it all.

 

Still not clear if he’s happy or terrified. I think just really excited. I learned later that I was supposed to hook the rope through the metal hook-thing above Logan’s head as a directional. (St. Julien in the background.)

This particular route was designed specifically with kids in mind, more like a vertical park than a mountaineering objective, with closely spaced steps and a number of fun “obstacles” to look forward to (including a suspension bridge, “monkey bridge,” cargo net, and balance beam). It even climbs through a natural stone arch. It was super fun, even for jaded me. It really made me wish we had more via ferrata in the US; it’s a great way to introduce beginners to the mountains and creates no more impact than the typical hiking trail.  It’s pretty awesome the way the local European communities embrace climbing, marketing it as an attraction and encouraging participation.  There was a huge kiosk in the center of Buis describing in detail all the via ferrata, how to reach them, what equipment was needed and so on.

The suspension bridge.

So-called Monkey Bridge.

Climbing through the arch.

The cargo net, with Buis, etc in the background.

Castle of the day – Logan playing with a Trebuchet at Chateaux des Baux.

Julienne Salad Days

By Mark Anderson

My family and I are heading to France (with a few days in Italy) at the end of the month for spring break. I spend the vast majority of my outdoor climbing days working redpoint projects, but on this trip I expect to focus on climbing routes first go, so I’ve spent the past few weeks tuning up my fitness accordingly and practicing on-sighting. All the crags on our itinerary are limestone, so we made a point to visit Shelf Road to climb on similar stone (albeit of much, much lower quality–or so I hope).

Earlier in the winter I bolted 4 routes (and a linkup) on a nice cream-colored panel of rock in the “Tropical Wall” sector of Shelf’s North Gym, which offered the perfect objective. Granted, these would not technically be on-sight attempts since I had rapped all the routes while bolting them. However, I don’t really possess the capacity to remember the details of four random lines I bolted a few months ago, since all my memory banks are filled to the brim with song lyrics and movie quotes. So I expected it to provide good practice nonetheless.

The main feature on the wall is a 3-feet-deep roof about halfway up. Four of the five lines involve this obstacle in some way. The first line I tried (“Booty Sweat”) follows a fairly continuous crack system that skirts the left side of the roof with powerful underclings (for the grade). While basically a crack climb, there are a lot of nice pockets sprinkled around to spice things up.

Shaking out below the undercling roof exit on Booty Sweat, 5.11b. Photo Amelie A.

The most intimidating line on the wall climbs out the center of the roof. Thanks to a few sinker pockets I climbed fairly easily up to a good shake at jugs below the ceiling. Just as I arrived, Amelie announced she needed to pee and she couldn’t hold it. Fortunately there was a bolt right at my waist, so I clipped a loose sling straight in to the bolt so Kate could help Amelie. This gave me plenty of time to contemplate the imposing obstacle above. Once I was properly on belay again, I charged up to the lip and groped my right hand over to a shallow 4-finger dish. I couldn’t see an elegant way to get established over the lip, so I coiled and hucked my left hand for what appeared likely to be a big jug. It was, and I stuck it, but it was incredibly prickly. My feet swung out wildly as I stuck the jug, and Kate shouted up “that was sick!”, which is incredibly rare—usually she is completely and justifiably unimpressed by my climbing antics (having seen the sausage being made, so to speak). I replied with, “what’s sick is what happened to the skin on my hand.” My palm was torn up and bleeding in a few places, but it turned out to be nothing serious, just enough to warrant the name “More Shredded Than A Julienne Salad.”

Working up the headwall after surmounting the big roof on …Julienne Salad (5.12b?) Photo Amelie A.

Perhaps the best line turned out to be the 5.11- linkup that joins the bottom half of Booty Sweat to the top-half of More Shredded…, climbing through the left side of the big roof via a bubbly pancake flake. It’s a classic jughaul with no hard moves to speak of. I’m generally not a fan of linkups, and I had no intention of bolting this line when scoping the wall from the ground, but once I rapped the wall and saw the line of jugs I couldn’t resist.

Scoping holds on The Boy Everybody Was Jealous Of, 5.12a. Photo Logan A.

The other two lines on the wall, Be Australian and The Boy Everybody Was Jealous Of, involve sustained pocket and edge climbing on great stone. They’re both worthwhile. I hiked past this wall probably 20 or 30 times while developing the rest of the North Gym in 2011, and I always intended to bolt it, but I never got around to it for whatever reason. I assumed somebody else would claim it during my 5-year exile to Clear Creek, so I was surprised and stoked to find it still untouched last November. In retrospect I’m really glad I had the opportunity to put these routes in. I’m sure some day in the future, once every route at Cactus Cliff is polished to glass and has a queue 10-ropebags deep, these routes will be well-appreciated by adventurous loners like me.

Fine edging on Be Australian, 5.12a.

Training for 9a – Preface

by Mark Anderson

This is the first in a multi-part series about how I prepared and trained for my ascent of Shadowboxing in Rifle Colorado. For background on the route and details of my ascent, please read here.

The decision to embark on a multi-season redpoint campaign should not be taken lightly. It’s a huge investment in time, energy and motivation. It also comes with a tremendous opportunity cost, meaning the time devoted to a single mega project could otherwise be spent working and sending many other routes, that offer a wider variety of moves and growth experiences. Not to mention the fact that even after a year or more of effort, you might not send!

I’d been stuck at 5.14c for a few years, and had been thinking for a while that sooner or later I would need to test myself on the next grade up. I wasn’t in any particular hurry—I was still improving, and so I figured the longer I put it off, the better prepared I would be. That changed in the summer of 2015, when inspiration and circumstances converged to create the right opportunity.

The first step in any major escapade is selecting an appropriate objective. Despite my admonishments to the contrary in the Rock Climber’s Training Manual, the underlying goal was to climb the grade, 5.14d (or 9a in Old Money). Routes of such grade are fairly few and far between in North America, so I didn’t have a ton of options to choose from.

Selecting the optimal goal route can be critically important. A good long-term goal route will have the following traits:

  • Inspiring enough to keep you motivated through several training cycles, even when the end is nowhere in sight.
  • Logistically convenient enough to allow as many opportunities as possible to attempt the route. Factors such as typical weather, length of climbing seasons, approach and geographic proximity all come into play.
  • High quality, so you are psyched to get on the route day after day (or at least you don’t dread getting on it)
  • Non-threatening (from an injury perspective), so you aren’t accumulating injuries throughout the process.
  • Challenging, yet still possible.

I had a few ideas in mind, but there is one guy who knows the American 9a landscape better than anyone else (so much so, that he created a website for it: http://usa9a.blogspot.com/ ). I put my initial thoughts together and asked Jonathan Siegrist for his recommendations, considering where I live, my climbing style, and strengths and weaknesses.

Jonathan's masterpiece La Lune climbs the right side of the arching cave.

Jonathan’s twin Arrow Canyon masterpieces La Lune and Le Reve climb the right side of the arching cave.  Note the sloping belay stance.

The primary factor for me was logistics. Jonathan thought the most suitable routes for my style would be one of his lines in Arrow Canyon (Nevada), La Lune or Le Reve. Unfortunately those routes are about a 12-hour drive-plus-approach away, each way, with a belay off a sloping ledge that would be marginal-at-best for my kids. We also discussed Algorithm at the Fins (Idaho), which seemed perfect for my style, but is probably more difficult to reach than Arrow Canyon (and likely hard for the grade).  Eventually we narrowed it down to Colorado’s two 9a’s (at the time), Shadowboxing and Kryptonite.

The latter was the first 9a in America, and easily its most popular (based on the number of successful ascents). I’m a huge climbing-history nerd, so it was the obvious choice. It climbs out the center of a massive cave known as The Fortress of Solitude, only about 5 miles (as the crow flies) from Rifle, and similar in style—steep, burly and continuous.

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The Fortress of Solitude, with Kryptonite roughly marked.  On  the lower left you can see the top of the steep scree fields that mark the end of the approach.

Unfortunately the Fortress sits at the top of one of the most notorious, soul-sucking approaches in Colorado. I made a trip out in late July to see what the approach would be like with kids: nearly impossible without a helicopter. The crux is several hundred yards of loose scree and talus, which you ascend by “Batman-ing” up a series of fixed ropes (while your feet skate in the steep debris). I could probably devise some scheme of shuttling backpacks-stuffed-with-kids to make it work for a few climbing days, but there was no way I could expect to get them up there 10+ times per season. It was equally unlikely to expect I could arrange babysitters, or sucker other partners for the number of trips I would need. That left Shadowboxing….

Based on what I knew of the route, it didn’t seem particularly well-aligned to my climbing strengths, but I figured its proximity to home and ease of access would make up for its sub-optimal style in the long run. I decided I would commit the first four climbing days of my Fall 2015 season to attempting it, and if I felt it was a poor choice at that point, I would retreat and consider other options.

Shadowboxing.

Shadowboxing.

Through seven weeks of hangboarding, campusing and limit bouldering, I wondered about the route. What would it be like? Was I in the ballpark? Would I be able to do the moves? Would I like it? Finally my first day on the route arrived…and it was rough. There were at least 10 moves I couldn’t do (although so many of them were consecutive, it’s hard to get an accurate count). My journal entry for the day says, “Got pretty worked–many moves I couldn’t do and pretty much completely baffled by the dihedral crux and undercling crux. Pretty overwhelmed/discouraged at the end of it all.”

Typically my first day on the rock at the beginning of each season is relatively poor, and so it was this time. By the end of my second day I’d gotten good linkage through the easier sections and done all the moves but one, the infamous crimp move. I stuck that move twice on day three, and by day four I had linked the entire route in four sections. I had made a ton of progress during my 4-day litmus test, and so with nothing better to do elsewhere, I decided to continue working the route.

The rest of that Fall 2015 season included many ups and downs. One day was entirely consumed working out a single frustrating foot move. At various points I had bleeding splits on the first pads of the index, middle, and ring fingers of my right hand due to one particularly sharp crimp. I acquired a number of nagging aches and pains in my shoulders, biceps, elbows and back from the many thuggish undercling moves low on the route.  While I two-hanged the route on my fifth day, that metric never improved over the next eight climbing days. By late October my highpoint was creeping up the route at a rate of about one move per weekend. I could do all the moves consistently, and link long sections with relative ease, but I had hit a wall where my endurance was concerned.

A looong way to go....

A looong way to go….   Photo Mike Anderson

As November approached, it seemed like I still had an outside shot of sending that season, but in retrospect I realize that was naïve–I was nowhere close. I needed a whole new level of endurance, not something I was going to acquire on the route over the course of a couple weeks.  Eventually weather, illness and previous commitments mercifully converged to provide an obvious stopping point.

As we made our way east over the Rockies for the last time of 2015, I was optimistic. I had made great progress and learned a tremendous amount about the route, and my capabilities relative to it. I could to start to see myself as a 9a climber.  I would need better upper body strength, and vastly improved endurance to have a puncher’s chance, but now I knew where my weaknesses lay, and I had six long wintery months to attack them.

New Anderson Brothers Podcast

by Mark Anderson

Last week Mike and I did another podcast with our friend Neely Quinn over at TrainingBeta.com.  You can check out the podcast here.

The interview runs about an hour and covers a wide variety of topics including:

  • What went into designing the Rock Prodigy Forge, and why we think it’s the most advanced hangboard on the market.
  • What we learned at the International Rock Climbing Research Association conference, what other research we are working on, which questions need further study.
  • How I trained differently for my ascent of Shadowboxing.
  • Mike’s recent 8a+ and 8b onsights in Europe.
  • Whether or not hangboarding causes forearm hypertrophy.
  • The secret to climbing hard with a family.
  • Questions & Answers from the Training Beta Facebook community
Mike crushing at the Schleierwasserfall

Mike crushing at the Schleierwasserfall

Hope you enjoy the listen, and if it generates any questions, please share them in a comment below, or (ideally) in the Rock Prodigy Forum.

Be sure to follow us on Instagram at @Rock_Climbers_Training_Manual

 

Mark Anderson Sends Shadowboxing, 5.14d

by Mark Anderson

On Friday, September 23rd, I reached my lifetime sport climbing goal of climbing a 5.14d.  Actually it’s a bit of a stretch to call it a “lifetime goal”, since for the vast majority of my life I never dreamed I’d be capable of climbing a route so hard. That changed last summer.  I was at the International Climber’s Fest in Lander, WY, listening to Ethan Pringle’s inspiring keynote address about his journey to send Jumbo Love.  He spent seven years working the route, including 18 days during the Spring 2015 season in which he eventually sent it.  I had never spent 18 days on any route ever, even spread over multiple seasons or years.

Mark Anderson making the third ascent of Shadowboxing, contender for Rifle's hardest route.

Mark Anderson making the third ascent of Shadowboxing, 5.14d.  Photo Mike Anderson

My takeaway from Ethan’s talk was that I didn’t know the first thing about commitment. Not on the scale that sport climbing’s elite practice it.  I routinely hear tales of top climbers spending scores of days, over many seasons or years, to send their hardest routes.  I had never even tried to do that.  I typically picked projects that I already knew I could send, and expected to do in a single season.  Never once had I clipped the chains on a hard project and thought “that’s the hardest I can climb; I can’t climb any harder”.  Instead I most often felt a deflating “well, that was easy” as I casually finished off my dialed project. Never once had I selected a goal route expecting it would take multiple seasons to send, if I were able to send it at all.  If I wanted to find my true limit, some day I would have to try something hard-enough that the outcome would be uncertain.  To have any chance of succeeding, I would have to commit to an all-out effort despite the very real possibility that it could culminate in utter failure.

I had been enjoying life at 5.14c for a few years.  While I’m still making gains through training, frankly, the pace is glacial.  At 39 years old, it’s unlikely I can count on suddenly becoming a significantly stronger or more powerful climber. If I’m not at my lifetime physical peak, I’m pretty close to it.  Furthermore, I have two young kids, and I don’t want to plan my family’s lives around hard sport climbing for much longer. It was the right time to make an all-out effort, to put my 20+ years of hard-earned knowledge and ability to the test.  I needed a worthy goal.

In the American grade scale “5.14d” may not sound much better than 5.14c, perhaps not worth an extra special, once-in-a-lifetime effort. But most of the world uses the French scale, where 5.14c is “8c+”, and 5.14d is “9a”.  The Ninth Grade is a magical threshold.  Wolfgang Gullich separated himself from the other protagonists of the sport climbing revolution with his ascent of the world’s first 9a, Action Directe.  It’s what every top sport climber around the globe aspires to, and clearly worthy of a special effort.

Shadowboxing climbs the gently overhanging sweep of porcelain limestone directly across from The Eighth Day.

Shadowboxing climbs the gently overhanging sweep of porcelain limestone directly across from The Eighth Day.

After several weeks of research and deliberation, I settled on Rifle’s hardest route, Shadowboxing, a phenomenal, slightly overhanging 40-meter wall of underclings, slopers and edges. The route was originally bolted in the 90’s by Nico Favresse, tried by many, but left to collect dust until Jonathan Siegrist arrived in 2011 to bag the first ascent. This attracted more suitors, until a key hold in the crux crumbled, leaving the route’s status in question. Jonathan eventually re-climbed the line to prove it would still go, but despite attempts by most of Rifle’s best climbers, no further ascents came until Jon Cardwell put it together in August 2015.

That history provided plenty of unnecessary intimidation for me. I don’t have a great track record at Rifle.  I’ve failed there more than at any other crag.  I’m best suited for thin, technical lines where I can stand on my feet and use my tediously cultivated finger strength.  The burly, upper-arm intensive thuggery of Rifle has sent me slinking out of the canyon with my tail between my legs more often than I care to admit. So I decided to give it four days of reconnaissance, and then re-evaluate.  At the end of those four days I was still psyched to continue, and soon after I was hooked.

Shouldery, burly climbing low on the route. Photo Mike Anderson.

I spent 13 days working the route in the Fall of 2015. I made a lot of progress, including many routine “2-hangs” but wasn’t truly close to sending. I did, however, gain some confidence that I could do it, eventually. I returned in May 2016 for another 12 days of frustration stemming from the flu, perpetually wet and seeping rock, broken holds and a tweaked back, ultimately devolving into oppressive heat. Despite my laundry list of excuses, I made significant progress, most notably a handful of one-hang ascents. By mid-June I was failing more often than not about seven hard-but-not-desperate moves from the end of the difficulties. As the summer heat squashed my chances, I could honestly say I was close. But I would need to wait several months for decent conditions to return to the canyon.

Over the summer I trained, adjusting my program so that I would arrive physically ready to send when I returned in September. It worked.  In training I was experiencing the best power of my career simultaneously with the best endurance of my career. Normally those peaks are separated by 4-5 weeks. On my first go back on the route I matched my previous highpoint.  I knew I was physically strong and fit-enough to send, I just needed to re-gain the muscle memory for the route’s 100+ moves.

Thursday night we checked into our hotel, with the Friday forecast showing a 40% chance of rain, mostly before noon. The next morning it was partly cloudy with a scant few sprinkles, but a sickly dark cloud loomed ahead as we approached the crag.  We arrived to a steady rain. Shadowboxing was still dry, except for the last two bolts of 5.10 climbing.  But based on the forecast, we expected the rain to stop within a couple hours, so we decided to wait.  Four hours of hyper-active pacing later, I was pulling out my hair to climb.  The rain seemed to be ebbing, but water streaks had streamed down the top third of the climb, soaking the thin edges and pockets surrounding my previous highpoint.  I decided the day would be a loss anyway, so I might as well get started, regardless of the wetness, figuring I could at least rehearse the lower cruxes in preparation for redpoint attempts on Sunday.

Surprisingly by the time I finished my warmup, the upper panel seemed dry. My first go of the day was solid, resulting in my 8th one-hang, but with some encouraging micro-progress on the “Crimp Crux” that ended the burn (along with the seven previous one-hangs).  The fickle move is a long rock right on a slippery foothold to reach a shallow crimp/pocket.  While certainly difficult, I realized my troubles with this move were more mental than physical.  After failing here so many times, I had trained myself to expect it–to brace for the fall instead of focusing on my execution.  After I fell I rehearsed the move a couple times, making a point to move off the hold as soon as I grabbed it, instead of bouncing and adjusting my grip until I had it latched perfectly.

At the "Crimp Crux", eyeing the shallow crimp/pocket that had eluded me on 8 one-hang ascents.

At the “Crimp Crux”, with my left hand on the “Pinch Plate”, eyeing the shallow crimp/pocket that ended eight redpoint attempts.  Photo Mike Anderson.

I rested about an hour and tied back in for my last attempt of the day. I cruised up the opening slab, over a short roof, then into the business.  I flew past a series of crux holds, each one representing the doubts and tribulations I eventually overcame to master them in previous seasons. I was going well, confident I would reach the rest at two-thirds height.  Once there, I implored myself to try hard and remain focused at the crimp crux–just keep cranking full speed ahead until you fall off.

Eventually I went for it, feeling the first wave of pump doubt about ten moves higher. I kept motoring, paddling my hands and feet toward the Crimp Crux. I stepped up to the hovering, thin panel of rippled limestone, and grabbed the sloping and thin “Pinch Plate” with my left hand.  This time I completely committed to latching the crimp–I tried hard and focused on doing the move correctly.  I hit the shallow crimp–not especially well–but I didn’t care and I didn’t hesitate.  Instead I immediately rolled it up, and proceeded, fully expecting to fall on the next move—a sideways slap to an incut slot—but I didn’t.  The key piece of beta turned out to be: TRY FUCKING HARD.  Don’t give up, and don’t hesitate. If you hit the hold, however badly, just keep going.  Assume you have it good enough, until gravity says otherwise.  That’s not always the right beta, but it was right on that move, on that day.

I had finally done the Crimp Crux from the ground, but there were plenty of hard moves remaining.  I felt pumped but I kept charging. I stabbed for a shallow three-finger pocket and latched it.  As I moved my left foot up to the first of two micro edges, my leg began to shake.  I stepped my right foot up to the next micro edge, and it too began to shake.  I got my feet on as well as I could despite the vibrations, leaned right, and stabbed left for a half-pad two-finger pocket, again  expecting to fall.  I latched it and pulled my trembling right foot up.  Now I hesitated.  The next move was really hard.  While I’d never reached it on redpoint before, I’d had plenty of nightmares about falling off here.  And now there was no denying–I was absolutely pumped.  I took a good look at the target (a 4-finger, incut half-pad edge), settled in my stance, and with zero reluctance I slapped for it, putting 100% effort and concentration into the latch.  I hit it accurately, but I had a lot of outward momentum to stop.  I had it well enough though.  I bounced my fingers on, amazed that I stuck it.

Next I had to high-step my left foot into the incut slot. It felt incredibly hard for a foot move, but I got it on there, somehow.  By now my elbows were sticking straight out. I noticed I wasn’t thumb-catching with my right hand like I ought to, but it seemed too late to correct.  Now the only thing to do was huck for the jug and pray the friction was sufficient to keep me on the wall. Somehow it worked, but I wasn’t home free yet.  I was pumped out of my skull and had one more long throw to do.  As I was wiggling my left hand into the best position on the jug, I could feel the lip crumbling under my fingers.  Not good!  I kept it together despite an evil impulse to give up and jump off (saying take wouldn’t have helped, I was now ten feet above the last draw!).  I squeezed a few fingers of my right hand onto the jug so I could adjust my left hand and clear the new formed debris.  I pulled up into position for the throw and hesitated for an eternity, fruitlessly kicking my flagging left foot around in hope of some purchase.

I felt my momentum fizzling and my hips sag.  As I imagined my pathetic, sorry-excuse-for-a-climber-carcass hurtling towards the ground after failing to even try a 5.9 dyno, I heard, for the first time, the shouts of encouragement from the gallery of climbers warming up at the Project Wall. At my moment of greatest doubt, although not uttered particularly loud, I heard clearly, as though he were standing next to me, Dave Graham* calmly urge “Allez”.  I can’t explain it.  It wasn’t the word but the way he said it–like he was talking to himself, and sincerely wanted me to do it.  That was the difference, and in that moment I chose to do it.  I slapped up and stuck it.

[*the first American to climb Action Directe, and one of the first three to climb 5.15]

The end of Shadowboxing's lower crux section. Photo Mike Anderson.

The end of Shadowboxing’s lower crux section. Photo Mike Anderson.

The desperation of the last sequence and support from below forced an excited “YEAHHH!” out of me once I realized I had the hold. I rested on the jug for a long time, or rather procrastinated, terrified that the 20-feet of climbing remaining, which were exposed to the full fury of the rain, would be wet or covered in silt from the runoff. Although the climbing was only 5.10 in this section, it’s very insecure, balancy climbing on non-positive slopers. In the end it was trivial–the holds were neither wet nor dirty.  I methodically worked up towards the anchor, with no drama, clipping the anchor easily, exclaiming “Wooooohoo!  You’re my bitch Rifle!” –the last word on an up and down love/hate relationship with Rifle.  To have my greatest triumph there, even though it came at an absurd cost, was incredibly satisfying.

And it was my greatest triumph. Obviously, objectively, it’s the hardest rock climb I’ve done. I spent roughly twice as many days on it (28) as any other project, at the time of my physical peak. But the real challenge was mental. Jonathan named the route “Shadowboxing” as a nod to its lack of shade. But the name took on a different meaning for me, the dictionary definition. It became increasingly clear as the process evolved that I was fighting myself. Physically, I was able, but mentally I was not prepared to accept that I was good enough to climb such a hard route. Overcoming that barrier and sticking with it to the end was the most mentally difficult thing I’ve ever done—harder than the Cassin Ridge, finishing a marathon off the couch, Boot Camp, or the endless drudgery and starvation of high school wrestling. Never have I had to persevere through so much persistent failure, so many setbacks, over so many days and multiple seasons. So many times I could have quit, and I would have been well-justified in doing so. But I kept going. Each off-season, I looked at fat Mark in the mirror and wondered if I’d be able to regain my form in time for the next season. Each time I did. The day of the send was a microcosm of the entire campaign. So many things didn’t go perfectly, so many moments of doubt or indecision crept in to derail my focus. But I kept moving towards the goal, and I was rewarded for it.

Falling off at the Crimp Crux--an experience I was all-too familiar with. Photo Mike Anderson.

Falling off at the Crimp Crux–an experience I was all-too familiar with. Photo Mike Anderson.

When I first got to the ground, someone asked how long I’d been working the route, and I said “So long I’m embarrassed to say”.  I am slightly ashamed of how long it took.  From a performance improvement perspective, I’m skeptical that was the best way to spend an entire year of my climbing life, even though that is precisely the experience I signed up for.  Still, despite my excessive sieging, the route never really got any easier.  During the process I (or others) broke at least seven holds that I can remember.  If anything the route got objectively harder.  That difficutly forced me to train far harder, and sacrifice far more than I ever have for a sport climb.  As a result, I got significantly better. I stayed focused and determined despite countless setbacks and distractions.

That’s the great thing about a stretch goal—it forces you to stretch yourself in order to reach it. It wasn’t an experience I enjoyed, but it is was the experience I needed if I wanted to know my limit.  As I clipped the chains, I never once thought “well, that was easy”. Instead, I reflected on how hard I worked over the last year, and marveled at how hard I tried in the moment of truth. I’ve never had to try that hard during a redpoint. I’ve never successfully linked so many consecutive 50/50 moves. I doubt I ever will again. That was a special moment, the culmination of a special year. From the admittedly narrow perspective of this one moment in my life, I can truly say, that is the hardest I can climb.

Below Shadowboxing after the send. Photo Shaun Corpron.

Below Shadowboxing after the send.  I’m told hangboarding doesn’t cause forearm hypertrophy. Someone please tell my camera.  Photo Shaun Corpron.

PS, I have to thank my wife Kate. If you ever wonder how it’s possible for me to climb so much with two small kids, the answer is Kate. She takes up the ample parenting slack that my climbing creates. This project was particularly burdensome. Kate endured interminable belay sessions, interminable rest days, and my interminable whining over every little setback. I simply could not have done it without her. Thanks also to my brother Mike who constantly pushes me to be better than I ever think I’m capable of (and for the photos and belays). Thanks to Trango for supporting me despite a year of meager results, to Shaun Corpron for the belays, and to all my friends on the Rock Prodigy Forum who shared their wisdom and support with me.

Anderson Brothers Interview at PaleoTreats

Anderson Brothers thinking about training.

Anderson Brothers thinking about training.

Earlier this week Mike and I were invited on Nik Hawks’ podcast over at PaleoTreats.  PaleoTreats is a web-based mail order company that makes delicious and nutritious desserts for active and health-conscious folks.  In their own words,

“…We’ve been making foodie-approved Paleo desserts since 2009. We are serious about flavor, texture, ingredients and Paleo. Yes, all of them. We’ve shipped around the world, from Australia to Afghanistan, and we’ve ironed out all the kinks of getting a great dessert to your door.”

Nik’s podcast isn’t really about that though.  He’s interviewed an impressively diverse group of folks covering the gamut from elite athletes, to coaches and nutrition experts, focused on a wide variety of sports.  He’s really interested in the pursuit of excellence, and the common factors that make athletes successful, regardless of their athletic vocation.  Our podcast covered a variety of topics, including:

  • Goal-Setting in life and sports
  • How to develop the ability to work hard in yourself and your kids
  • The time and place for skill development in climbing
  • What we’re most proud of (in a training sense), and what we would change about the RCTM
  • How self-esteem (or lack thereof) has impacted our motivation and success
  • The next big innovations in climbing training

(Pretty much the only thing we didn’t talk about is food)

Check out the podcast here!

This photo has nothing to do with the adjacent text. Sticking the crux dyno on Nailed It, 12d, at the Sterling Wall.

This photo has nothing to do with this blog post. Sticking the crux dyno on Nailed It, 12d, at the Sterling Wall.

Kids Climbing Wall

by Mark Anderson

Growing up, I rarely had the opportunity climb. As a teenager, I occasionally had the chance to try it, typically on the most pitiful excuses for climbing walls you could imagine (one vertical sheet of 4×8 plywood with 2x4s nailed on for holds, and the like). The small geographical area within my reach was completely devoid of rock, but the local libraries had enough books to pique my interest—Steck and Roper’s 50 Classics, Harlin’s Climber’s Guide to North America, Watts’ Smith Rock guide. I knew I wanted climb, despite virtually no experience actually doing it. It wasn’t until the end of college that I finally had sufficient freedom and transportation to really get into it.

I now have two kids, Logan (4.5 years old) and Amelie (2). I sincerely don’t care if they become climbers, but if they choose to pursue it, I want them to have the opportunities that I lacked, and that means regular access to climbing terrain. The Lazy H Barn provides them far more opportunity than I had, but it’s a bit of a hike for their small legs, and they can’t physically open the door. Not to mention, the terrain isn’t exactly designed for them, and the few vertical sections quickly become dull. I expect as they grow up they’ll find it more enticing, but currently they rarely climb in it more than about once a month.

With that in mind, I decided last year to build a climbing wall inside the house, designed specifically for the kids. This would greatly improve their access, especially during winter when our place is frequently snowbound. We have a pair of really kid-friendly gyms on the Front Range (ABC Kids in Boulder and CityROCK in Colorado Springs). These gyms have done a great job of including elements that make the experince fun and entertaining. I wanted to do the same because more than anything, I want climbing to be fun for them.

The space, in the first stages of framing. My hangboard rig used to reside in the corner in center, but now that I’ve realized the wisdom of the “just climb” philosophy, I don’t need it anymore. (J/k of course—I’ll quit climbing before I quit hangboarding)

The space, in the first stages of framing. My hangboard rig used to reside in the corner in center, but now that I’ve realized the wisdom of the “just climb” philosophy, I don’t need it anymore. (J/k of course—I’ll quit climbing before I quit hangboarding).

Complete framing. The ramp behind the wall (on the right edge of the photo) supports a slide tunnel.

Complete framing. The ramp behind the wall (on the right edge of the photo) supports a slide tunnel.

A look at the Monkey Bars that connect the two walls.

A look at the Monkey Bars and catwalk that connect the two walls.

Painting panels. I had a bunch of scrap OSB lying around, and I really wanted to maximize re-use instead of scrapping it and buying new sheets. In the end I only had to buy one new panel (but lots of paint).

Painting panels. I had a bunch of scrap OSB lying around, and I really wanted to maximize re-use instead of scrapping it and buying new sheets. In the end I only had to buy one new panel (but lots of paint).

Gluing wainscoted (whiteboard) panels onto the slide. It took as much effort to build the slide as it did to build the rest of the wall! But it was worth it—the slide is by far the most popular feature.

Gluing wainscoted (whiteboard) panels onto the slide. It took as much effort to build the slide as it did to build the rest of the wall! But it was worth it—the slide is by far the most popular feature.

Logan about to test the slide tunnel. I created the curvature at the bottom of the slide by laminating two sheets of ¼” plywood together.

Logan about to test the slide tunnel. I created the curvature at the bottom of the slide by laminating two sheets of ¼” plywood together.

Installing panels. From L to R, the wall angles are 80 degrees, 100 degrees, and vert.

Installing panels. From L to R, the wall angles are 80 degrees, 100 degrees, and vert.

The finished product.

The finished product.

A closer look at the right half…

A closer look at the right half…

…and the slabby left half.

…and the slabby left half.

Mayhem! From L to R: Ayla topping out the slab, Logan rolling a basketball across the catwalk, Mike J supervising, Xander running, Mark S contemplating a sit start, Lucian running across the high platform, and Quinn coming out of the slide tunnel.

Mayhem! From L to R: Ayla topping out the slab, Logan rolling a basketball across the catwalk, Mike J supervising, Xander running, Mark S contemplating a sit start, Lucian running across the high platform, and Quinn coming out of the slide tunnel.

Lucian on the Monkey Bars while Mark S, Ayla, Logan (and Amelie, hidden) play in the slab tunnel.

Lucian on the Monkey Bars while Mark S, Ayla, Logan (and Amelie, hidden) play in the slab tunnel.

I got a number of great holds sets for this wall from e-Grips. In addition to their outstanding collection of killer normal-human grips, they have a number of sets that are super kid-friendly. Many typical jug sets don’t work so well for kids because their stubby fingers aren’t long enough to reach into the incut part of the “jug”, effectively leaving them with a sloper. The sets described below are kid-tested and great for small hands:

Big Buttons These are the perfect thickness for tiny hands, super incut and non-slopey.

Meridian Pulls Medium-depth edges for adults, moderately-incut full-finger jugs to kids.

Pure Line Finger Buckets Full-hand buckets for small-sized climbers.

Pure Line Mini-Jugs These are actually pretty monstrous from a kids’ perspective—two full hands, but thin enough to wrap their short fingers around.

Jr. Bugguy Interesting shapes, but also plentiful kid-size features. Best on slabby to vertical walls.

Sea Food The Sea Horse and Starfish are among Amelie’s favorite holds.

Jungle Animals Easily Amelie’s favorite set. Every time she comes in the room, she runs and points out the Ape, gesticulating while say “ooh-ooh, ahh-ahh”. Holds like these really do help attract the kids to the wall. That said, this set is non-positive, so best used on a slab.

The wall has been a huge success. My kids love it, and so far, so does every other kid who’s seen it. Instead of me asking Logan if he wants to go out to the barn (to which he usually says “no”), he’s asking me to come climb with him.  Both Logan’s and Amelie’s climbing skills have improved dramatically since it was finished. I really try not to push my kids towards climbing, but if erecting a fluorescent opportunity right in front of their faces influences them, so be it. 🙂

New Indy Pass 5.14

by Mark Anderson

It’s been ages since I’ve done a proper road trip. Camping with young kids can border on misery, so we’ve made a point to avoid it since Logan came along. When Amelie turned two last month (Logan is four-and-a-half) we tested the waters with a 3-day trip to the Black Canyon and discovered they’ve magically blossomed into champion campers. With new confidence we headed north to the annual Lander International Climber’s Fest with a trunk full of camping gear and a loose itinerary.

The crux of Captain America, Independence Pass, Colorado.

Captain America, Independence Pass, Colorado.

The festival itself was loads of fun. Our friends at Trango provided awesome lodging in a rustic cabin (not that rustic—it had a shower, microwave and mini-fridge) at the Baldwin Creek B&B. We enjoyed two great days of craggin’ at Wild Iris, including the clinic on Saturday. Logan’s been getting much more interested in climbing (and rope swinging), and we found a great spot for him to practice his skills on rock, capped off with a great swing off the lip of the Calamity Jane roof. The best part of the festival for me was meeting numerous Rock Prodigies and hearing their inspiring success stories.

Logan swinging from the lip of Calamity Jane.

Logan swinging from the lip of Calamity Jane.

Another highlight was Ethan Pringle’s keynote address on Saturday night. He shared several short videos about his effort to snag the second ascent of Jumbo Love (5.15b!). It was downright hilarious and ultra-inspiring at the same time. My favorite bit was Ethan’s Seven Commandments for climbing success:

  1. Coffee
  2. Poop
  3. Safety Third
  4. Lookin’ good
  5. Food
  6. Sex
  7. Send!

Ethan spent seven years working the route and 18 days just this season. It made me reflect on my definition of a “long term” project. I’ve never spent 18 total days on a route, despite several projects that spanned multiple years. I’ve never clipped the chains on a project and thought “that’s the hardest I can climb”, either. Instead I always finish knowing I could do something harder if I could tolerate the uncertainty of a project that was seriously in doubt (and commit to the extended effort required). Perhaps it’s time for me to make a serious commitment to something.

Black Bear in Grand Teton National Park.

Black Bear in Grand Teton National Park.

After the festival we headed further north to Grand Teton National Park. This is one of Kate’s absolute favorite places. The mountains are spectacular and for whatever reason the wildlife viewing is incredible. We saw a Grizzly Bear and a Black Bear on the slopes of Signal Mountain. The only other time I’ve seen a grizzly was 15 years ago in Alaska (which almost seems like cheating). At one point he stood up on his hind legs to scratch his back on a tree and he had to be at least 8-feet tall.

Trust me, there's a Grizzly Bear in there somewhere.

Trust me, the blurry brown blob is a Grizzly Bear.

If the last pic didn't convince you, surely this one will!

If the last pic didn’t convince you, surely this one will!

We did a nice family bike ride, took the ferry across Jenny Lake, watched climbers on the classic Baxter’s Pinnacle and hiked to several mountain lakes. Logan loves swimming and doesn’t seem to mind icy cold mountain water at all. I think he has the makings of a successful alpinist. I could stare at the mountains for days, and I was definitely feeling the itch to climb up there again. I did The Grand and Mt. Moran in my “youth”, but it’s been such a long time that I’ve nearly forgotten the alpine starts, unplanned bivies and knee-pounding descents.

Logan crushing in Cascade Canyon, Grand Teton NP.

Logan crushing in Cascade Canyon, Grand Teton NP.

Next we headed back south to Independence Pass, just east of Aspen, CO. Aspen’s one of those rare places where you can see a beater ski-bum-mobile parked next to a Ferrari. Despite its Beverly Hills sparkle the town is surprisingly kid-friendly. There are many great parks, fountains, ice cream shops, etc. There are endless things to do and sights to see in the area, from abandoned mining towns to the Maroon Bells, flow-style MTBing, whitewater and sport climbing on the Pass.

Amelie and Logan at Outrageours Overhang (Indy Pass).  For some reason Logan’s look in this pic just kills me.

Amelie and Logan at Outrageours Overhang (Indy Pass). For some reason Logan’s look in this pic just kills me.

We were there for the climbing of course. In particular I was hoping to work and perhaps send an open project that Pass local Jay Brown had recommended to me after I finished Insurrection. A couple weeks earlier we made an overnight trip to the Pass to climb with Mike’s family. I took that opportunity to check out the project and it captured my interest immediately.

Tricky footwork and burly pinching in the crux of Captain America.

Tricky footwork and burly pinching in the crux of Captain America.

The line climbs the 20-degree-overhanging arête of a shallow right-facing dihedral. I’ve long considered myself an arête connoisseur, having cut my teeth at the arête paradise of Smith Rock. The climbing involves burly pinching and slapping for 20-or-so relentless moves (and a finishing boulder problem after a sit-down ledge rest). I was bouldering fairly hard in the Lazy H at that point, and I was able to do all the moves that first day, but I was unable to link several sequences. I hadn’t done any real training since early May, so I wasn’t exactly brimming with confidence. I often feel that way early in a project, and it seems I’m constantly reminding myself to trust the redpoint process—routes do become easier with practice.

A short, insecure boulder problem guards a bivy-sized ledge rest.

A short, insecure boulder problem guards a bivy-sized ledge rest.

Once I finally got back on it the climbing went better than expected. After one burn to reacquaint myself and refine some sequences I one-hanged the project twice on my first day back. Both times I fell on the same stopper move though—a dyno into an overhead 3-finger undercling on the arete. You have to hit the hold precisely while also maintaining strong core tension. It’s the kind of move I could imagine falling on repeatedly on redpoint.

Logan swinging from the top of the classic 5.11 Thug Route.

Logan swinging from the top of the classic 5.11 Thug Route.

We spent the next day enjoying some of Aspen’s other outdoor attractions. Logan hopped in a couple more mountain lakes, we gazed at the Maroon Bells, strolled around downtown and did several short hikes. We had a nice picnic in Wagner Park and bumped into Kevin Costner (actually his grocery cart) at the Citi Market.

Logan in Jackson Lake (Tetons)...

Logan in Jackson Lake (Tetons).  Notice he didn’t bother to remove his shoes or pants…

…Taggart Lake (Tetons)…

…Taggart Lake (Tetons)…

…String Lake (Tetons)…

…String Lake (Tetons)…

…Weller Lake (Indy Pass)…

…Weller Lake (Indy Pass)…

…and Maroon Lake (Aspen area), the only one he seemed to think was cold.

…and Maroon Lake (Aspen area), the only one he seemed to think was cold.  He was easily the most hygienic member of our party.

By the next climbing day we had been on the road for nine days, including the last five nights in a tent. The kids were still happy as clams but Kate and I were itching (literally) for showers and a real mattress. Knowing that a send would be rewarded with soap and a fluffy clean comforter, I tied in under the leaning prow early that morning.

Dressed for the occasion.

Dressed appropriately for Captain America.

I climbed briskly to avoid exhausting my meager power endurance. This time I stuck the undercling move and managed the desperate clip at the third bolt. I barely stuck an arête slap a few moves higher, and I could feel my legs and arms trembling slightly as the pump grew. I finally reached the first shake 30-feet up and took my time recovering my breath—not a trivial matter at an altitude just under 10,000 feet. After one more insecure windmill move I pulled up onto a massive ledge.  Still quite worked, I took off my shoes and relaxed for a good 10 minutes. The short headwall above is probably V7 or 8 in its own right, requiring several committing slaps to clear a steep bulge. After an unsettling moment of hesitation searching for the proper right-foot hold I snagged the first left hand pinch, then the second. I set a high heel hook, slapped my right hand up to a good sidepull, and paddled up jugs to the top of the cliff.

Staring down the ensuing heel hook on the final boulder problem.

Staring down a heel hook on the final boulder problem during the first free ascent of Captain America, 5.14a.

 Many thanks to Wade David who discovered, equipped and cleaned the line, and thanks to Jay Brown for telling me about it.

The vision for the Trango athlete team is to find climbers who embody our brand’s values and support them in their climbing endeavors. We focus on the character of the climber, their passion for the sport, and their desire to contribute to the community.

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